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Processor · Audio effect

Octet

An eight-band parametric equalizer with bell, shelf, notch and 12 or 48 dB cut bands, Stereo, Left/Right and Mid/Side modes with per-band channel assignment, and a plot with a draggable node per band.

Bundle
octet.vst3
Role
Eight-band equalizer
Octet plugin interface

Opinion

Not yet auditioned in a host. Downspout had no equalizer, so this fills the most basic gap in the effects: cut the rumble with a 48 dB high-pass, dip a muddy bell, lift the air with a shelf, and see all of it on the plot. It is a redesign, not a copy of the Oxide Studio EQ that inspired it, whose “48 dB” cuts are 9 dB too deep at the cutoff.

Functionality

Every band is one of eight types and has its own on switch. Drag a node on the plot (across for frequency, up and down for gain) or use the controls under it; scroll the wheel over the plot to change the selected band’s Q. A fresh instance changes nothing: all gains are 0 dB and the two cut bands start off.

Parameters

Parameter Range Default
Mode Stereo / Left-Right / Mid-Side Stereo
Output -12 to +12 dB 0 dB
Band on Off / On bands 2-7 on, 1 and 8 off
Band type HP 12, HP 48, Low shelf, Bell, Notch, High shelf, LP 12, LP 48 HP 48, Low shelf, Bell x4, High shelf, LP 48
Band frequency 20 Hz to 20 kHz 30, 100, 250, 600, 1.5 k, 4 k, 8 k, 18 k
Band gain -18 to +18 dB 0 dB (bell and shelves only)
Band Q 0.1 to 18 1; 0.71 for the shelves (bell, shelves and notch only)
Band channel Both / A / B Both

Cuts

HP 12 and LP 12 are second-order Butterworth. HP 48 and LP 48 are 8th-order Butterworth, four cascaded sections with the Q values 0.51, 0.60, 0.90 and 2.56, so they are -3 dB at the cutoff and fall 48 dB per octave beyond it. They have no gain or Q control.

Stereo, Left/Right and Mid/Side

In Stereo every band acts on both channels. In Left / Right and Mid / Side each band’s Acts on chooses both channels, A (left, or mid) or B (right, or side). In Mid/Side a Side band changes the stereo width at that frequency and leaves a mono signal exactly alone.

Precision

Filters run in double precision, so a 20 Hz 48 dB high-pass is accurate at 192 kHz (within 0.3 dB of -3 dB at the corner).

Status

Core covered by tests (380 checks): the plotted response against the measured filter for every type at 48 and 96 kHz, band shapes, cut slopes, the routing modes, stacking bands, output gain, every control, impulse-response decay for random settings at 44.1 to 192 kHz, block-size independence, denormals, and the parameter table against the core. Not yet listened to or validated in a host. No spectrum analyser, no linear-phase mode. Drift CC 1-4 drive one band (CC band, default 4): Frequency, Gain, Q, and the Output.